Archive for myth
Happy Inter-Dependence Day!
As usual, I’m a bit late on the sentiment, but the whole notion of inter-dependence just finally gelled over the past few days, especially after seeing “Sicko.” But the sad state of the United States on this Independence Day is too broad, so I’m focusing here specifically on my corner of it, and how
Tribe follows tribe, nations follow nations like the tides of the sea. It is the order of nature, and regret is useless.
attributed to Chief Seattle
Yes, we know that Chief Seattle (Sealth, pronounced See-ahlt) probably did not speak in 19th century rhetoric, but the sentiment here is useful: it speaks to the usefulness and the problems of America at the same time. The usefulness is that America tried a republic, where every person is an individual, free of tribal limitations and responsibilities. The problem, of course, is just that: that there is no tribe, no looking out for one another. And nowhere does that lonely tribelessnes feel more palpable, perhaps, than here in Seattle.
However, that independent streak is strong. As in the case of this man, the Man Who Did Not Like Curves. The Manifest Destiny in the photo is breathtaking:
R.H.Thomas was the Seattle City Engineer who designed the Denny Regrade, among other things. The Denny Regrade used to be Denny Hill, but it was in an inconvenient place downtown. So R.H. Thomas decided to remove it, so boulevards could run straighter, without hinderance. I wonder: was he Capricorn?
During the regrading of Earth’s sensuous curves, native graveyard remains were disinterred (“DAMN THE TORPEDOES! Why does that always happen? ” R.H would have cried, if this were Sink the Bismarck, which it isn’t, but doesn’t he look like he could play a part in it?) Anyway…in order to avoid a sticky political situation, the work of dumping dirt into the bay was moved to night time. Hence, that term for night shift, the “Graveyard Shift” was born, right here in Seattle. (My source is the Seattle Ghost Tour Guide.)
I like to think of R.H. and his odd, Earth-moving habits, and I wonder: what was he really trying to prove by changing the shape of Earth itself? And what kind of example is that for your children? To build a damn street. Straight. (It’s no wonder we got people like Richard Nixon, who believed that a for-profit health management organization, which made a profit by limiting health care, was a good idea. But I digress. For the full irony, go see “Sicko.”)
Of course, all of this could all go away in ten seconds. Since much of downtown is built on fill. Also, the Alaskan Way Viaduct, and much of the waterfront, are supported by a seawall. If the Earth ever decided to let off some serious stress through the shallow Seattle Fault, much of R.H. Thomas’ legacy would slide right into the bay.
Which is why I’m on Earth’s team. When the Nisqually quake of 2001 hit, I was in my bathroom. (Really, greeting the energies of Mother Earth is a naked affair. I don’t think R.H. got naked much, by the looks of it.) The house shook, and I was scared, but ecstatic: it was like witnessing the entrance of a grand lady into a party that’s gone stagnant. She was here, and she was moving the sidewalks.

I am not sure if others share in my celebration of catastrophic, seismic events. For an Earth Event fan, I do seem to be living in the right place: there are at least three active volcanoes in the Cascade Range, and there’s that Seattle Fault line. If Earth is going to let loose, we’re sitting on a major vent. Scary. But then I didn’t sign up for the book group version of Earth.
So, R.H. Thomas’s regrade was a success, and it’s now “Belltown” is one of the trendier neighborhoods. But I’m happy to report that the regrade mentality hasn’t much caught on. No one has thought to level the pesky volcanoes or patch up that bothersome fault. It seems Seattlites have adapted to the energies here. Not nearly as elegantly as the Salish or the Duwamish, of course — this is still an American city, trying to look and act modern, while it sits on a gateway to an ancient, organic world. In the end, Seattle has this weird way of “regrading” its ghosts and encounters with Mother Earth in very pragmatic, R.H. Thomas kind of way. For example, UW geologists got stymied in trying to sort through the mountains of geographical data, and turned to Salish stories in order to pinpoint major seismic events Before The White Guy Era.
In the geologists’ case, a few Salish myths were a prudent thought-laxative, resulting in 8 tidy seismic events, complete with physical locations. Because no one in a linear society likes holding an inchoate sense of data. No sirree.
However, when myths get in the way of progress, we have no problem regrading. As in the case of the Sunken Forests off Mercer Island, which were caused by earthquakes. The tribes knew that the Earth had moved the forests, and associated them with her powerful energy. The tribal leaders told tribe members that the forests were dangerous, and to stay away and not strip bark from the exposed tree tops. It was a pragmatic myth, saving the canoes from damage, but it also honored the power of Earth.
The White Guys, however, noticing that the trees snagged their boat hulls, took to dynamiting them out of the way.
Which means the Seattle approach is truly inter-dependent within the ancient and modern worlds we simultaneously inhabit, so that our lives and heads are spinning. Organic? Manifest Destiny! Earth Energies! Jet Planes? Seattle is thoughtful enough to nod to the myths, even used them when we need to, but calloused enough not to let them get in the way too much, which leaves a general sense of irony and complete loopiness in the air.
However, the Independent Spirit is free to innovate, outside of tribe. But, why does it seem that everything that comes out of Seattle is tied down by the Prostitute, the need to sell one’s soul for security? Microsoft brought us the PC, and opened a dimension in our consciousness, but Microsoft comes with a sense of burdensome ownership and marketing. Where do you want to go today? Anywhere, as long as you sell us your soul. Starbucks, of course ties us directly to the earth, the senses, the enjoyment of the here and now. With a dose of World Domination. Great innovations from Seattle carry a distinctive Seattle terroir: mythic, creative, with a heavy emphasis on Independence, Manifest Destiny and the right to Protect Self-Interests.
As it stands, Seattle is spiritual enough to have let a few curves back downtown, but in an ironic way, of course. The Lusty Lady had this to say, right after the February quake:
The State of Washington was admitted to the union in 1889, under the conditions of naming itself after the first American President. In an attempt to make its mark upon a wild place, the United States Government stamped its most ancient, most venerable ancestor upon the new western state. The name “Washington” is there, but it doesn’t really take. I wonder if it is because there are trees in the woods having centuries of precedence over George Washington.

In spite of Seattle’s sometimes all-embracing, sometimes laissez faire attitude toward mythology, the palpable spirit of Earth and shamanistic cultures is depicted in Pike Place artist John Strongbow’s “Secret City” series. John’s drawings show myth in stark, uncanny color, contrasting with a monochrome urban background. John writes,
In a modern milieu, these colorful dancers, priests, mythological beings, and shamans are healers of contemporary man, who, through his own lack of spiritual insight, has been reduced to a walking ghost.
So…what would it be like if the Invisible Histories became the most palpable ones on our city streets today? What if the shamans who silently row amidst rush hour traffic in Strongbow’s work were visible to us? What if Microsoft were shareware, and Starbucks covered the globe in order to share the wonder of enjoying our senses? What if we let Rapunzel out of her tower on the Fremont Bridge, and stopped trying to play Prostituted, Modern American City? Because really, where else can you put one hand on a Geoduck, and the other on a PC? If we have a chance to reconnect to our lost sense of inter-dependence, it’s here.
I think it’s time for an Aquarian manifesto and yet another Seattle innovation: true inter-dependence, not just between ancient and modern, but between selves. Let’s get beyond the pragmatic nod to the past, and really embrace what it means to be part of a tribe of individuals, with respect for one another and our environment. Unsuspicious, caring, and damn it…LOVING OUR NEIGHBORS.
My (somewhat) uncanny resemblance (sort of) to Joseph Smith
Subersive? Moi? At least my nose isn’t as big as his.
A few weeks back, a new awareness crept over me as I watched the PBS special “The Mormons.” Do I really sort of look…like…that…GUY?
How could I live with my own semi-resemblance to a guy everyone thinks is a womanizing weirdo? I did the obvious thing: I ran immediately to my copy of Harold Bloom’s The American Religion. Because Harold wrote some cool things about Mormons. I need something cool to think about, if I am going to look like the person who put the gams in the term polygamy.
Also, I did the other obvious thing: I looked up Joseph’s astrological birthchart, hoping to find some cosmic explanation for the resemblance. I did find some relief in the fact that Joseph was a Capricorn, because I am NOT a Capricorn. Although, we do share something Aquarius: he has Aquarius Moon, I have Aquarius Ascendant. So, in case a Mormon wants to grill me regarding my positive and affirming views on human sexuality, I will cry “Save me, Aquarian sex-positive Brother Joseph!” (that is what my astrologer told me to do, anyway.)
Most importantly, here are the aforementioned cool things Harold said about Joseph
“The God of Joseph Smith is a daring revival of the God of some of the Kabbalists and Gnostics…Mormonism is a purely American Gnosis, for which Joseph Smith is a far more crucial figure than Jesus could be.”

Here is Joseph, again. Most Mormons don’t know this, but this portrait captures the Prophet about to flit down to the piano for a rousing hymn, “Who Wants to Be a Sexy Gnostic?”
If I’m to (somewhat) resemble an American religious figure, I suppose Gnostic, misunderstood, widely-adored Joseph is OK. As long as I have him with a dose of Harold. I can live with that.
The Sacred and the Profane, on a map

The more I contemplate the work of Chuck Pettis and the Geo Group, the more I appreciate Seattle.
According to the website, “This project made Seattle the first city on Earth to balance and tune its ley-line system. The project received front page coverage in The Seattle Times. Five years later, the April 1993 issue of Seattle Arts reported:
“Some artworks start life in fiery controversy and eventually find enthusiastic acceptance. When in 1987 an artist working with individuals from other disciplines cre- ated an artwork tracking the invisible ‘ley lines’ in the Earth’s surface – imposing a grid of lines over a satellite photo of the Seattle area and placing crystals at significant junctures, then beautifully framing the whole thing to hang on the wall – it sparked a brief but nasty battle over the separation of church and state, art and faith. The (Seattle) Arts Commission was accused of funding a New Age, pagan sect. Now the work hangs happily on the wall of a new home the DCLU (Department of Construction and Land Use in the Dexter Horton Building), where many visitors figure it must somehow relate to the City’s zoning policies.”
A quick overview of ley lines: cosmic energy lines come into the earth at a perpendicular angle, turn to travel along the surface of the earth for several miles, then drop down to travel through the earth, and exit on the other side from where they entered. The part where the lines travel the earth are Ley Lines, and where they drop into the earth are called “Power Centers.” Many sacred sites (such as Stonhenge) are lined up with Ley Lines, or mark Power Centers.
I LOVE that the Geo Group has made visiting Power Centers an easy activity: the website has photos and graphic instructions on how to approach each one. Namaste, and thank you.
I marvel that I’ve been able to put this routine into my bag of tricks, when I’m feeling down, low on energy, or in need of a creative boost. My favorite power center is in the Washington Park Arboretum, near the UW. There is a power center near the baseball field and swings, and Chuck Pettis has left detailed clues (down to how many paces you need to take, from a certain tree) to find it.
When I am here, I feel like turning cartwheels and being generally silly. I leave, feeling refreshed and rejuvenated, creative, and back to myself. I also know that my feeling better helps the earth feel better.
It makes me regard our ever-constant stretch toward divine awareness, and how we feel we must distance ourselves from our egos, our fears. Most of us learned to be horrified at our bodily functions, and we definitely don’t want the Earth Self to be our Whole Self. I think this fear of our Earth Self is part of what happens when we do not regard the Cosmic energies which are working in tandem with Earth. When we disregard these energies, it makes it easier for us to spoil our landscape. This attitude also spoils our own bodies, and makes life a living hell. As Caroline Myss writes in her new book “Entering the Castle,” identifying wholly with the Outer Self is Hell.
And I would agree. We need to acknowledge the Cosmic energy working within our Earth energy. And visiting earth power centers is one way to palpably feel it. Looking at the map above is a way to SEE it, to remind ourselves that YES, Virginia, there is a Cosmic Santa, and it is sending beams of energy to animate our Earth. It is a beautiful thing. I don’t think the Ordinary World, (or the Outer Self) and the Cosmic World are alien to each other. The ley lines prove that the twain can, and do, meet, that they work together in a beautiful pas de deux. And when we visit these power centers, we help heal ourselves, the earth, and bless the cosmos.
What’s Different About This Tampon Ad?

This is an ad for Nana, a French manufacturer of tampons and pads. It translates, “The more women are “Nana,” the more I love them.” Nana is also a colloquialism, a word men use for their girlfriends, and means something like “chick,” according to the source, the Museum of Menstrual History.
Now…ponder the facts:
1. A man is featured in an ad for tampons
2. The company which makes said tampons is named after a colloquialism for a term of endearment for the feminine
3. Everyone in France is OK with that, although French people aren’t granola hippies who are into menstruation, by any means.
WTF???
When I started menstruating, I was taught to hide all evidence of my monthly cycle away. And no way were any menstrual products sold under a name which honored the feminine. “Kotex” is nicely astringent. “Always” gives a vague sense of something, anything other than menstruation. And “Tampax” may just beat out “Kotex” for sounding sanitary.
But “Nana?” Can you imagine a tampon brand called “Chick” or some such name which connotated (HORROR) the feminine in our world?
And could you imagine a guy in an ad celebrating a woman…for being feminine…and ALL that it means…which means she bleeds once a month…but not really dwelling on the fact…
It boggles the mind, non? But bear in your boggled mind that France has been OK with ALL that the feminine is for some time now, where the United States, well, hasn’t been. Regarde this wiki of the Black Madonna. And notice that there is a fairly well-known representation of ancient, divine feminine forces, surviving in plain sight of many French people.
So, therefore, because we have no Black Madonnas in the American psyche, we have no cute male models doing tampon ads? Bravo! Q.E.D. Well, it’s not that simple. However, consider this: we did once have these very pure-as-the-driven-snow Lysol douche ads, where a woman is not “Nana” unless she sanitizes herself. Thanks again to the Museum of Menstrual History website:

Hmmmm. Lysol. Pur-itanism. Hmmm. I like the cute guy in the Nana ad. I’m seeing Tom Cruise for Tampax, and I’m seeing it NOW.
Diane, the owls are not what they seem.

A dream:
A peaceful, wondrous feeling comes over me as I consider the darkness and shadow which lies just yonder, beyond where I can’t see anymore. Where the blue-speckleware ends, and nothing begins. I am happy, and glad for the quiet. The dream ends with my brother calling me home.
This is a dream I had all the time as a child: me entering a quiet, secret room, which looked like the giant inside of a speckleware roasting pan, like my mother used. Lately, as I read Robert Bly’s “A Little Book on the Human Shadow,” I can’t help but wonder, is this what I was pondering back then? Was this dream a precursor of future nocturnal wanderings into unknown, shadowy territory? Would the inside of this dark blue, starry room be my natural home?
Sitting in this space, between the brightness of what we think we’re supposed to be, and the depths of who we really are, feels nonlinear, dreamlike, peaceful, and terrifying. Like a painting by Salvador Dali or any other surrealist narrative…such as episodes of “Twin Peaks,” be it season one, the more widely accepted, “brighter” season, or the shadowy, freakish, season two. Yes, even “Twin Peaks” itself, as a show, has an evil, misunderstood twin which only now quietly begins to appear from the Shadow with its recent release on DVD.
So many of the characters on “Twin Peaks” had some type of twin, mirroring each other’s existence.

There are no guiding scenarios to lead us into some kind of communion with our shadows, our freakish twins, our other selves, which we have stuffed away. At least not yet, Now, all we have is one dark story attempting to show us the twin out of shadow. There is no narrative to instruct and define how to deal with our more dangerous selves, the ones we have so hygienically sealed off, so we can play about in a world of light.
We think we have created an impassable ravine between the two sides of our selves. One side is a tangled mess of waterfalls, wildlife, flora, invisible creatures, and mad thoughts. The other side of ourselves is safe, and sane. That’s the one, the one miserably spending and consuming, that we say is real, and true. At least “Twin Peaks” had us calling over to the other side of the ravine. Not a guiding light by any means, but more of a call of an owl in the darkness.
The space between is a safe, silent void, where the persistence of memory is quieted, and one can look a little more closely at the shadowy self on the other side.

Geologists and two-headed serpents
I love that University of Washington geologists, when faced with a gap in geological history, turned to Salish stories to help fill in the picture.
As in, were there any major earthquakes prior to white history? Gosh! There were! And the two-headed spirit of a serpent is here to confirm it!
And the five places where the spirit of the serpent appeared to shake the land and the water, there are five physical landmarks. As in, the sunken forest off the southern tip of Mercer Island, is an actual sunken forest. And the Spirit Rock, where the two-headed serpent was to have emerged, creating a huge landslide in his wake, is an actual boulder just south of the Fauntleroy Ferry.
I love that my caucasian tribe and the Salish tribe are really describing the same thing, together, with different narrative devices.
A Beautiful Knitter

As Athena is the goddess of both War and Crafts, it follows that Russell would be a welcome addition not just to the Gladiator circle, but also the knitting circle.
And now, to meditate on the seemingly odd jurisditions of War and Crafts while gazing at this lovely, lovely mortal.
Bowing Kitten: the trickiness and secrecy of grace
I gave a bowing kitten to a woman on Sunday, telling her I loved him, because he jumped out at me when I was really focused on anxiety and being upset. There he was, in a sea of people (the Saturday crowds at Uwajimaya). Just bowing, with a serene smile and closed eyes.
Soooooooooooooo CUTE!
And mysterious, and…I just said “oh!” and I was happy. And that was grace.
I spent most of Sunday with a group of women calling in the Four Directions, being smudged, beating drums, giving gifts, and being generally cozy with the shaman population. When Rev. Elke MacCartney pulled junk out of my aura and threw it into the fire with a snarl, I felt strong. Someone even said my eyes got bluer.
My hair still smells of sage smoke and I feel…happy. Someone handed me a silver ring with a labradorite stone, which looks muddy until sometimes, the light makes it gleam green-blue. In fact, there is an airy quality inside this mud, which fits me perfectly.
Someone else gave me my very own drum they had made, saying it needed to go home with me.
I now have met my roots…and I get to do this again in two weeks.
avoir le cul entre deux chaises
This means that one is between a rock and a hard place. Or hell and high water. I like the literal translation of the words: “to have one’s ass between two chairs.”
I get the feeling that men have their asses sitting somewhere between Mr. OK All Right (thank you, Garrison Keillor), and a megalomaniacal ego which masquerades as masculine energy. Of course no one wants to be associated with all that alliteration. Unless they are interested in world domination. So a lot of men opt for the barbecue, others fall prey to wandering angst or depression, and others feel alarming anger boil up in them for no apparent reason.
There is a third option, between clueless Dad and arrogant bastard. As Athena is the champion of men, I would like to use her energy to make a small blog ripple in that direction. I like men; I mean really, really like the archetypal masculine energy. The gods are handsome, swift, daring, and know just what to do. Men are here to have a hero’s journey. The masculine must make its way through the forests of Gaia, because that is how it understands itself. Read the rest of this entry »
A Perfect Set of Knockers
I have always had inklings of life’s endless possibilities, but from the time I was 15, I had external affirmation that I could go anywhere: I had the ideal bra size. My industrially-made bra size is two numbers and a letter: 34, as in inches around my chest, and the letter “C,” which refers to the shape and depth of the bra cup. C is larger and fuller than both A, and B. Metaphorically speaking, the letter C is also the actual shape of a breast, caught up in a bra, in profile, although I’m not sure the lingerie pioneers consciously understood this when setting sizes.
Culturally, the C-cup bra size is a touchstone, magically announcing “just right” amongst those in the know. Victoria’s Secret openly displays cup sizes up to C on the racks, and shoves any larger sizes away in drawers. Yes, the public is kind to C-cups: according to the unanimous decision of my female peers in high school P.E. class, I had the Vogue-est boobs of all. Perhaps it was their brave, honest way of admiring the refreshing, decent size of my breasts. Our brothers and our male peers had long lauded the quality of hugeness, but here was a new quasi-feminist voice: tidy and understated was now Vogue. Read the rest of this entry »